Palm

‘Suzanne Moxhay’s work explores the boundaries between inside and outside and between nature and the artificial through the blending of a fictitious imaginary space and a photographed ‘real’ space. Inspired by early film-making techniques she creates scenes that might at first appear real but on closer inspection begin to disintegrate.
In these spaces, which resemble empty film sets, the viewer is invited to speculate on a possible narrative, with the suggestion that something has just occurred or is about to take place.
By combining diverse techniques from collage, model making, painting and photography the work aims to involve the viewer in the construction of the image whilst also inviting them to question it.’